Archive for the ‘7.19’ Category

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Today we visited Carlo Scarpa’s well known renovation of the Querini Stampalis Foundation in Venice Italy, in general, it is a particularly impressive example of a renovation project which layers the past and present constructions into a powerful assemblage.

Front bridge entrance, it is closed as we visited.

Interior Hall

Plan Diagram

The Fondazione Querini Stampalia was founded in Venice 1869 by the last descendant of the Venetian Querini Stampalia. The site is composed of the living quarters, an archive, a library, and a museum of paintings and furnishings. In 1949, the Presidential Council of the Fondazione Querini Stampalia decided to begin the restoration of some parts of the Palazzo Querini. Malino Dazzi, director of the foundation, tasked Carlo Scarpa to restore the ground floor, which was in a state of neglect and decay. The project was completed just over ten years later.The restoration project included careful cleaning of four existing architectural elements: the bridge, the entrance, the portico and the garden.

Scarpa’s museum renovations exhibit his minimalist style within historic buildings, a style that allows the existing context to pass beneath and behind the new work without being disturbed. However, it was not the invention of spatial themes with which Carlo Scarpa was involved, but rather the manipulation of materials in relation to the human body.

For this visit, I focused on two aspects of the building: detail and water

Detail:

Scarpa’s expression of detail in this building varies at different scale, with different combination of materials, such as steel, concrete, glass and brick. Here are some examples I found intriguing about this building.

This is a staircase at the side entrance, it is an innovative stair to me due to the way that each step continuous and warp around the step above.

This detail shows how concrete hangs out of the brick wall, thus to give a feeling of depth.

This detail is a celebration of the intersection of steel and concrete

A fascinating column detail showing the compositional relationship of glass and concrete

An innovative door, it is a an interesting way to bring light in as well.

Water:

Scarpa is a master of using the water as a critical element in his building, what I found interesting is he introduced the experience of water in two different ways: the flowing water and the static water. For the flowing water, it creates dynamic feeling for the space, on the one hand, we can see something flowing compared to the other static objects surrounding it, on the other hand, we can hear the water as well, it is a special feeling as we could “listen” to architecture.

For the static water pool, the transparent nature of water gives us a feeling of brightness. Also, it reflects the scenario surrounding it thus giving an illusionary sense for people. Last but not least, Scarpa loves the zen idea taken from Japanese culture, the static water makes us feel peaceful. Here are some photos I took thus to support my point.

These details show how well done of the usage of water in this building.

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Individual Assignment 1:

Choose a condition in Querini Stampalis Foundation in Venice, document it in one drawing in a coherent manner

The condition I choose is a fountain, it shows the brilliant design of Scarpa that the shifted layer of wall connected by water feature. The board contains plan, section and perspective diagram.

Today we visited the boat building workshop at San Trovaso, which is next to the Church of San Trovaso along the narrow Rio San Trovaso, just north of the Zattere. it was first opened in the 17th century.Back in the 16th-century heyday of the gondola, there were upwards of 10,000 of these elegant boats plying the waters of Venice’s canals. Today there are but 350, and the job of gondoliere is still a coveted profession, passed down from father to son over the centuries.

The boatyard is surrounded by Tyrolian-looking wooden structures . I find it is a true rarity in this stone city built on water, and an oddity shared by most boatyard.The wooden structures are home to the multiple-generational owners and original workshops for the traditional boats.

Interior photo of the workshop

A quick sketch of the workshop